A female perspective on drum'n'bass? None I’ve heard of. Anna Sunnet bursts in with her unique style, opening unexpectedly new boundaries of the familiar drum'n'bass. In her tracks techstep is mixed with liquid and deep drum'n'bass in unusual proportions, occasionally complemented with atmospherics, and the whole mixture gives a touch of minimal house at 174 bpm. A separate bonus is the joint tracks with Electrosoul System and Dissident, however it feels like Anna keeps the upper hand on the masters of the genre here as well.

A female perspective on drum'n'bass? None I’ve heard of. Anna Sunnet bursts in with her unique style, opening unexpectedly new boundaries of the familiar drum'n'bass. In her tracks techstep is mixed with liquid and deep drum'n'bass in unusual proportions, occasionally complemented with atmospherics, and the whole mixture gives a touch of minimal house at 174 bpm. A separate bonus is the joint tracks with Electrosoul System and Dissident, however it feels like Anna keeps the upper hand on the masters of the genre here as well.

A female perspective on drum'n'bass? None I’ve heard of. Anna Sunnet bursts in with her unique style, opening unexpectedly new boundaries of the familiar drum'n'bass. In her tracks techstep is mixed with liquid and deep drum'n'bass in unusual proportions, occasionally complemented with atmospherics, and the whole mixture gives a touch of minimal house at 174 bpm. A separate bonus is the joint tracks with Electrosoul System and Dissident, however it feels like Anna keeps the upper hand on the masters of the genre here as well.

KOS.MOS.MUSIC presents the second coming of "Kosmological Conspiracy". It’s been 7 years since the release of the first album of "Kosmological Conspiracy" series. Time has shown that the release turned out to be one of the highest demands on the label. During all these years we have been gathering and preparing the material for Part 2 and the time has come. Compared to Part 1, the number of tracks has increased. Some of them have been received at the last moment when the album had already been completed. That is why it was decided to divide the album into two volumes. Compared to the first Part, the new "Kosmological Conspiracy" is more tough and trancy, more mystical, with more ethnic motives, more mystery, more acid drills and psychoactive, surrealistic sounds and patterns. The album reveals atmospheric, techmospheric, artcore, techstep, liquid, halftime, jungle, drumfunk, rolling, electro and deep dnb, but all of them is a mixture of one would think various subgenres and is comprehended as one whole, united by a single idea and common sound.

KOS.MOS.MUSIC presents the 12th part of "Deep Structures" series. The release includes 6 tracks of various darkness degrees. The opening track “Nervous Funk” is based on anxious and psychedelic sounds of analogue synthesizer flavored with a rolling beat. A bright spot for the fans of the dark sound by Electrosoul System. Stas Dissident launches a highly low bass techstep with lots of dub sounds, crackles and “Mymindisgoing” phrase from legendary Stanley Kubrick's “Space Oddisey 2001” movie of 1968. “Opium Tones” - the 2nd solo track by Anna Sunnet on the label. Arabian Nights mood with eastern themes are inside the atmospheric techstep composition. “Existent” is a jungly techstep, being now and then oddish, still made in a brand Cobo style. Fetus presents an overloaded, broken halfstep with rotating dynamics. Samurai stuff. “It’s A Dark Place To Go” is a tough and dark techstep with a twisting bass and overloaded synths all the way through the track.