October 1895, Lisbon — “In a waterfront club, I wait for a partner bringing an updated chart of the Atlantic currents — fresh, with annotations known to only five captains. A shot sends the ball rolling into a glass of port. Documents soaked, the meeting ruined… but over a new glass he laughs and reveals the route’s secret I had been chasing for months.” This is how the plot of “Bad Day, huh?” by Otto Krummel begins — a broken-beat pulse, warm analog haze, and the sense that even a misstep can change the entire course of events.

Otto Krummel is a new name transmitting signals from within temporal fault lines. Figur 9 marks the next coordinate in Otto’s journal of displacements. Fueled by a breakbeat-driven groove, tape-saturated textures, and echoed vocal layers, the track opens a dancefloor between centuries. Krummel fuses heritage and innovation, crafting a sound where the past trembles with bass and the future vibrates with every new pulse of the synthesizer. Otto doesn’t just play with time — he invites you to hear how it sounds.