My reputation is going down Your conversation don’t have sound Your body language super loud, loud, loud Why the beat never stop?

KOS.MOS.MUSIC presents the 12th part of "Deep Structures" series. The release includes 6 tracks of various darkness degrees. The opening track “Nervous Funk” is based on anxious and psychedelic sounds of analogue synthesizer flavored with a rolling beat. A bright spot for the fans of the dark sound by Electrosoul System. Stas Dissident launches a highly low bass techstep with lots of dub sounds, crackles and “Mymindisgoing” phrase from legendary Stanley Kubrick's “Space Oddisey 2001” movie of 1968. “Opium Tones” - the 2nd solo track by Anna Sunnet on the label. Arabian Nights mood with eastern themes are inside the atmospheric techstep composition. “Existent” is a jungly techstep, being now and then oddish, still made in a brand Cobo style. Fetus presents an overloaded, broken halfstep with rotating dynamics. Samurai stuff. “It’s A Dark Place To Go” is a tough and dark techstep with a twisting bass and overloaded synths all the way through the track.

KOS.MOS.MUSIC presents the 12th part of "Deep Structures" series. The release includes 6 tracks of various darkness degrees. The opening track “Nervous Funk” is based on anxious and psychedelic sounds of analogue synthesizer flavored with a rolling beat. A bright spot for the fans of the dark sound by Electrosoul System. Stas Dissident launches a highly low bass techstep with lots of dub sounds, crackles and “Mymindisgoing” phrase from legendary Stanley Kubrick's “Space Oddisey 2001” movie of 1968. “Opium Tones” - the 2nd solo track by Anna Sunnet on the label. Arabian Nights mood with eastern themes are inside the atmospheric techstep composition. “Existent” is a jungly techstep, being now and then oddish, still made in a brand Cobo style. Fetus presents an overloaded, broken halfstep with rotating dynamics. Samurai stuff. “It’s A Dark Place To Go” is a tough and dark techstep with a twisting bass and overloaded synths all the way through the track.