For Simon Morris: His Name Means First And Last. Following 'THE COLOSSALIST' and 'THE GREAT IMMUREMENT' and continuing the death-life commitment to their grave loss, VUKOVAR's final step in their obsessive memorial device to Simon Morris is 'THE BODY ABDICATOR'. With the last twitches of the NeuPopAct, the perpetually reorganizing group have collided and colluded to now present their 10th LP and final part of the Eternity Ends Here triptych; the most ambitious thing attempted by the group and the most wrapped in turmoil. Joined by Gea Philes, this is a metaphysical and esoteric wasteland disguised as a pop album.

For Simon Morris: His Name Means First And Last. Following 'THE COLOSSALIST' and 'THE GREAT IMMUREMENT' and continuing the death-life commitment to their grave loss, VUKOVAR's final step in their obsessive memorial device to Simon Morris is 'THE BODY ABDICATOR'. With the last twitches of the NeuPopAct, the perpetually reorganizing group have collided and colluded to now present their 10th LP and final part of the Eternity Ends Here triptych; the most ambitious thing attempted by the group and the most wrapped in turmoil. Joined by Gea Philes, this is a metaphysical and esoteric wasteland disguised as a pop album.

For Simon Morris: His Name Means First And Last. Following 'THE COLOSSALIST' and 'THE GREAT IMMUREMENT' and continuing the death-life commitment to their grave loss, VUKOVAR's final step in their obsessive memorial device to Simon Morris is 'THE BODY ABDICATOR'. With the last twitches of the NeuPopAct, the perpetually reorganizing group have collided and colluded to now present their 10th LP and final part of the Eternity Ends Here triptych; the most ambitious thing attempted by the group and the most wrapped in turmoil. Joined by Gea Philes, this is a metaphysical and esoteric wasteland disguised as a pop album.

Lost and found album, recorded at Lights Studio Brussels in 1988

Follow up to their critically acclaimed second album Rosary (released on 2nd July 2007), Sanctuary continues were Rosary stopped. On this release the duo pass from synth-pop tunes of the first releases to more dark and meditative structures. Swirling post-punk guitars, repetitive synthetic drums and dissonant indefinable noises. Jean-Marc's powerful voice sounds as it was recorded from a long distance and adds an almost choral quality to the music. Minimal hypnotic obsessive sounds both frightening and sacred. Like standing in thick fog in front of the gates of eternity. And in this fog you can meet the ghosts of The Wire, Joy Division, Swans and Cindytalk among others.